A quick glimpses over some of the key ideas revealed in Visual pleasures and narrative cinema

The purpose of this article is to offer a brief explanation to some of key elements of Laura Mulvey's Visual Pleasures and narrative cinema. With particular reference to her points about how modes of cinema spectatorship and the suturing of audiences are inflected with masculine desires and pleasures, within films from the classic Hollywood period. This is a snapshot, and is no substitute for reading the original essay which provides far broader and clearer insights, and will offer a far stronger ...

Django Unchained, representations and ‘positioning the audience’

The following is an exchange between one of my students and I, broadly made on the topic of psychoanalytical approaches to film analysis. Her contribution attempts to describe and explore the nature of representations in Django unchained (Tarantino US 2012), which my response attempts to take these ideas in to the realm of how audiences engage with these representation and what I believe to be the true intended meanings of the film makers, based on the experience of their oeuvre. Quentin ...