Django Unchained, representations and ‘positioning the audience’

The following is an exchange between one of my students and I, broadly made on the topic of psychoanalytical approaches to film analysis. Her contribution attempts to describe and explore the nature of representations in Django unchained (Tarantino US 2012), which my response attempts to take these ideas in to the realm of how audiences engage with these representation and what I believe to be the true intended meanings of the film makers, based on the experience of their oeuvre. Quentin ...