In space, no one can hear you scream.

Silence seems to have become a key cue in the science fiction film, from Scott and Cameron's iterations of the Alien franchise (Alien UK/US 1979 and Aliens US 1986), through Nolan's Interstellar (US 2014), and Cuaron's Gravity (US 2014) to the recent outing Arrival (US 2016 dir: Denis Villeneuve). Silence is a of course a feature of a vacuum, but is this why it is also a feature of some science fiction film? There are obvious connotations one could read into ...

Identifying generic cues in films

This is a table which seeks to set out some of the repertoires of elements (this is a slightly outdated way of studying genre but it works for this exercise) that are evident is three classic genre movies, they are by no means comprehensive but their function is to provide a resource for teachers of IB film Thidea is to use them to have students explore genre without getting caught up in plot. For example I chose the Public enemy as my ...

Evolution of the American Gangster Movie – Part one

The 'Godfather' movies are a significant step in the evolution of the American gangster film, in that many of the repertoires of elements conform to the classic conventions but present them in interesting and innovative ways. As films they  (well at least GF 1 &2) stand above the genre, and seemed to revivify it and set an new agenda for all gangster films to follow that is at least until Martin Scorsese's Goodfellas of 1990. Unlike their antecedents from the 1930's the ...