On the Convergence of Two Creative Revolutions

The “Roaring Twenties” are generally associated with a period of unbridled excess after the traumatic experience of the First World War. While young Americans revelled to the syncopated rhythms of jazz music, two groups of European philosophers and artists were desperately searching for new meanings after the annihilation of all previous moral certainties.  The first group, led by the German architect Walter Gropius, set out to redefine the rules of architecture as well as craft and design. Their vision of a ...