Seeing Whale Rider in an Asian context

After some years since first I first saw Whale Rider (Niki Caro, New Zealand, 2002) I watched it again recently, and apart from the obvious pleasures of such a well-made and moving film, something struck me which might be extrapolated to reveal something of a pattern of film writing from the same broad geographic region.   It doesn’t take a genius to work out that its central themes are challenges to long-standing traditions in the societies represented and the conflicts between traditions ...