‘My work looks like a child did it compared to all the other students in my class with experience’

This month my post is a reply to a heartfelt comment written by a student. As you may know, its possible to leave comments after a blog post, and on 1st April a student made a comment in response to a post titled 'EXHIBITION ISSUES (part 3)' from August 2016. The comment did not refer directly to issues discussed in this particular blog (the ‘theme’, the curatorial rationale, optional supporting photographs etc.) but he was clearly venting! I have included the whole comment at ...

7 Points from the Visual Arts Subject Report

The Visual Arts Subject Report for the last May session is in the shops now! (Not really – see the end of this post for how to get it.) This document is not a hypothetical aspirational document; it’s more of a reaction to and reflection on the things that you (teachers) uploaded for assessment. It’s a report and its based directly on the experiences of examiners, so it is valuable in a real and practical sense. It can be an interesting and revealing ...

Process Portfolio Questions from Students: Part 2

Last month I answered some questions that students had asked me about the Process Portfolio. I have had a few more questions since then, so here are answers to the most recent PP questions. MORE questions — and answers — about the Process Portfolio 1 'I like painting, so most of my intentions are just to create paintings, but my teacher says this intention is "not enough". Why not?' In terms of media, you cannot just focus on one medium/technique in the Process Portfolio. ...

Everything you always wanted to know about the Visual Arts upload process…but were afraid to ask

Ibis Yes, its time! Gather your files/digital documentation of student work and go to IBIS! No, not the bird: I mean IBIS: the International Baccalaureate Information System (https://ibis.ibo.org/)   Collect your students' files, take a deep breath, stay calm, try not to get flustered or exasperated...its UPLOAD time! Here is your upload overview/guide to enlightenment, with instructions, reminders, advice, file information and dates and deadlines...what more could you want? *** Don't be confused when you see two dates (e.g. 20 April/20 October). April is for most 'May session' ...

The Shape of Things to Come (in 2022)

The Visual Arts Curriculum Review—and the Shape of Things to Come! Things to Come, via YouTube The Shape of Things to Come is a work of science fiction by H. G. Wells, published in 1933, which speculates on future events from 1933 until the year 2106. In the book, a world state is established as the solution to humanity's problems. (Wikipedia)   Actually, ‘the shape of things to come’ - in the context of this blog - is more specifically related to the ...

Process Portfolio Checklist

HAPPY 2018! It’s the New Year! If you are in your second year as a DP visual arts student, and are in a ‘May session’ school in the Northern Hemisphere, now would be a great time to review your progress to date: it’s time to check on what you have, and have not, done in relation to all three components (Comparative Study, Process Portfolio and Exhibition). As I hope you know, in around three months’ time you will be submitting all of this ...

6/VACAF, EE/RPPF and EE/CS

(Don't you love acronyms?) I lead DP visual arts workshops, both online and face-to-face, and just before Christmas finished my last visual arts workshop of 2017. It was a category 1 and these are invariable full, packed and busy—so much to cover, so little time to do it in! As ever it was a lively and enjoyable workshop, but a couple of things sometimes seem to get pushed to the back of the line and possibly overlooked—visual arts coursework authentication, reflection on the extended ...

From the Ridiculous to the Sublime: The Visual Elaboration of Ideas

The Ridiculous (or at least, misguided) As an exhibition moderator I sometimes encounter work that seems to be based on a misinterpretation of the visual arts course. Of course the work is not really ‘ridiculous’, but let’s say it might be a little misguided. For example, in one case a student submitted (as artworks in their exhibition) a single Lego brick, and Lego ‘Batman’ and ‘Superman’ figures. Source: Wikimedia Obviously, there is no technical competence involved here: the Lego belonged to the student’s ...

Reminders for November session schools

If you are teaching in a “November session” school, October is a busy month! Here are some reminders: IBIS upload deadlines: 10 Oct         Predicted Grades and Internal Assessment marks 20 Oct            Internal Assessment (Exhibition) upload 30 Oct            Comparative Studies and Process Portfolio upload   Exhibition Reminders Students can use as many or as few processes/techniques as they like: there are no restrictions in the exhibition criteria for the range of media used. Students will not be penalised for only using ...

The 5 Nots (Comparative Study HL)

In September I posted some thoughts about the Comparative Study – Six of the Best (comparative study issues and advice) This month I’m continuing that theme but focusing on criterion F, so I’m only talking really to those of you who are taking HIGHER LEVEL Visual Arts. Criterion F deals with making connections to your own art-making practice. *In July I posted a blog about what NOT to do in your exhibition - “When NOT to…” (Visual Arts Exhibition No Nos) Now I am posting ...